Praise for Volumes 1 and 2
“A garrulous outpouring—and every word beguiles.”
— Wall Street Journal
“If you surrender yourself to the sound of his voice, the pleasure of Twain’s company proves pretty hard to resist.”
— The New Yorker
“It feels like a form of time travel. One moment you’re on horseback in the Hawaiian islands—or recovering from saddle boils with a cigar in your mouth—and the next moment you’re meeting the Viennese maid he called, in a private joke, ‘Wuthering Heights.’”
— New York Times
“Brings us closer to all of him than we have ever come before.”
— New York Review of Books
“Twain has given us ‘an astonishment’ in his autobiography with his final, beautifully unorganized genius and intemperate thoughts. Pull up a chair and revel.”
— Los Angeles Times
“One sees a mind bubbling and hears a uniquely American voice.”
— Literary Review
When the first volume of Mark Twain's uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.
Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life. Also included in this volume is the previously unpublished “Ashcroft-Lyon Manuscript,” Mark Twain’s caustic indictment of his “putrescent pair” of secretaries and the havoc that erupted in his house during their residency.
Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature.